Adore by Li-Young Lee

                                       (adore, verb from Latin, adorare,

                                        from ad– ‘to’ + orare– ‘speak, call pray’)

You lie asleep beside me,
one hand on the pillow and cupped
at your mouth, as if to tell a secret.

As if you might say in your sleep
what you could never find
words for awake.

Or as if you called
across a din of other voices,
or the howl of empty space. Calling

because there are no bells
to strike the hours where we live. And I must know
when to kneel and when to rise.
What to praise and what to curse.
I must know how to bless
and how to receive blessing.

One hand on your pillow and cupped
at your mouth,
as if you spoke a word
you’d kept to yourself all day, waiting
for your most unguarded moment
to say, a thought meant for me, meant to be
shared between us this way,
sealed this way, a secret
no voice can carry without destroying,
a word without carriage, except conveyed
in the peace of your body and face,

a word born out of your deepest rest, a word
which only my own deepest breathing
and happiest rest beside you,
face to face, free of thinking, can sustain.

Maybe you had to be asleep
to say what you knew to be true.
Or what you had to say
you might not could bear to hear,
and so you must say so softly
I must close my eyes, I must turn
inward, to where you’ve made a room
and a bed inside me, to receive it.

You say:
We cannot look upon Love’s face without dying.
So we face each other to see Love’s look.
And thus third-person souls
suddenly stand at gaze
and the lover and the beloved,
second- and first-persons,
You and I, eye
to eye, are born.
But such refraction, multiplying gazes, strews
Love’s eye upon the objects of the world,
as upon the objects of our room.

My brush, hairpin, mirror, book,
your loving look finds each of these things
lovable, I can see. Things
by any other measure poor, your look crowns
to make them your heart’s royalty.
Face, blush, breath, eyes, evanescent,
pledged to death, nowhere stored,
Love’s look gathers within its fondling
to adore.

This strewing and gathering
of Love’s face, of Love’s gaze, and only this,
begun in death’s audience, is the founding
action, call it the fundamental
paradise…did I say paradise?
I meant paradox…the fundamental paradox
of the breaths we breathe,
the thoughts we witness,
the kisses we exchange,
and every poem you write.

Spoken For by Li-Young Lee

I didn’t know I was blue,
until I heard her sing.

I was never aware so much
had been lost
even before I was born.
There was so much to lose
even before I knew
what it meant to choose.

Born blue,
living blue unconfessed, blue
in concealment, I’ve lived all my life
at the plinth
of greater things than me.

Morning is greater
with its firstborn light and birdsong.
Noon is taller, though a moment’s realm.
Evening is ancient and immense, and
night’s storied house more huge.

But I had no idea.
And would have died without a clue,
except she began to sing. And I understood

my soul is a bride enthralled by an unmet groom,
or else the groom wholly spoken for, blue
in ardor, happy in eternal waiting.

I heard her sing and knew
I would never hear the true

name of each thing
until I realized the abysmal
ground of all things. Her singing
touched that ground in me.

Now, dying of my life, everything is made new.
Now, my life is not my life. I have no life
apart from all of life.

And my death is not my death,
but a pillow beneath my head, a rock
propping the window open
to admit the jasmine.

I heard her sing,
and I’m no longer afraid.
Now that I know what she knows, I hope
never to forget
how giant the gone
and immaculate the going.
How much I’ve already lost.
How much I go on losing.
How much I’ve lived
all one blue. O, how much
I go on living.

I Ask My Mother to Sing by Li-Young Lee

She begins, and my grandmother joins her.
Mother and daughter sing like young girls.
If my father were alive, he would play
his accordion and sway like a boat.

I’ve never been in Peking, or the Summer Palace,
nor stood on the great Stone Boat to watch
the rain begin on Kuen Ming Lake, the picnickers
running away in the grass.

But I love to hear it sung;
how the waterlilies fill with rain until
they overturn, spilling water into water,
then rock back, and fill with more.

Both women have begun to cry.
But neither stops her song.