Tonight the wind is in your voice.
And the gods are nervous
about the drinking water.
Someone hijacks the background
with three simple dance moves.
Or maybe the clouds
paused on the television
set during a ball game.
The silence inside
the photograph
of you eating alone
in an old yearbook.
This is going to be over
before you know it.
But not before your hands
become small birds
in celebration
of the present snow.
An expressed panic
attack of harmonics.
It’s like listening to your heartbeat
in a club, all the lights off,
all by yourself.
Category: Poetry
Imagining Starry by Marie Ponsot
The place of language is the place between me
and the world of presences I have lost
—complex country, not flat. Its elements free-
float, coherent for luck to come across;
its lines curve as in a mental orrery
implicit with stars in active orbit,
only their slowness or swiftness lost to sense.
The will dissolves here. It becomes the infinite
air of imagination that stirs immense
among losses and leaves me less desolate.
Breathing it I spot a sentence or a name,
a rescuer, charted for recovery,
to speak against the daily sinking flame
& the shrinking waters of the mortal sea.
Alone With Everybody by Charles Bukowski
the flesh covers the bone
and they put a mind
in there and
sometimes a soul,
and the women break
vases against the walls
and the men drink too
much
and nobody finds the
one
but keep
looking
crawling in and out
of beds.
flesh covers
the bone and the
flesh searches
for more than
flesh.
there’s no chance
at all:
we are all trapped
by a singular
fate.
nobody ever finds
the one.
the city dumps fill
the junkyards fill
the madhouses fill
the hospitals fill
the graveyards fill
nothing else
fills.
The Summer Day by Mary Oliver
Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean—
the one who has flung out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down—
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.
I don’t know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is it you plan to do
with your one wild and precious life?
Vulnerability By Tiamo De Vettori
Sometimes the wind changes
But my migration pattern
Remains the same
I refuse to shake my vulnerability
And over-protect myself
From an enemy
That never existed
I won’t buy
The next love proof vest
That I see on the shelf
Because the experience of hurt
Is what makes joy
So deliciously possible
It doesn’t take talent
To be unmoved
When all you have
Becomes paralyzed
Before you fall
I can see for miles
As I run through the future
And neglect the past
That is too often
Overrated
Because experience
Is the ultimate reference book
But some experiences
Are still meant
To be had
Shedding protective layers
Is not something I do with ease
While climbing up slopes
Of possibilities
There are no views
Not worth seeing
If you understand
The dichotomy of love
That’s why I read
What hasn’t been written
That’s why I choose
To leave my home base
Yet home is only safe
Because at some point
You went to the edge
And decided to leave it
The More Loving One by W. H. Auden
Looking up at the stars, I know quite well
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.
How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.
Admirer as I think I am
Of stars that do not give a damn,
I cannot, now I see them, say
I missed one terribly all day.
Were all stars to disappear or die,
I should learn to look at an empty sky
And feel its total dark sublime,
Though this might take me a little time.
Guitar Repair Woman by Buddy Wakefield
My mother told me,
“If you ever become a rock star
do not smash the guitar.
There are too many poor kids out there
who have nothin’
and they see that shit
when all they wanna do is play that thing.
Boy
you better let’m play.”
Okay, if she ever starts in on one of these
lectures,
your best bet is to pull up a chair, chief,
‘cause Momma don’t deal in the abridged
version.
She worries about me so much some days
it feels like I’m watching windshield wipers
on high speed
during a light sprinkle
and I gotta tell’er, “Ma,
yer makin’ me nervous.”
She was born to be laid back,
y’all, I swear,
but some of us were brought up in households
where Care Free
is a stick of gum,
and the only option for getting out
is to walk faster.
The woman
can run
in high heels
backwards
while bursting my bubble,
double checking my homework,
rolling enough pennies
to make sure I have lunch money,
and preparing for a meeting at school
on her only day off
so she can tell Miss Goss the music teacher,
“If you ever touch my boy again, big lady,
I’ll bounce a hammer off yer skull.”
I remember her doing these things swiftly
and with a smile
in her discounted thrift store business suits off
layaway.
She wore them bright and distinguished
enough
to cover up the 30 years of highway scars
truckin’ through her spine.
Some accidents
you don’t need to see, rubbernecker.
Keep movin’
’cause she made it.
She’s alive
and she’s famous.
We can stretch Van Gogh paintings
from Kilgore, TX to Binghamton, NY
and you still won’t find the brilliant brush
strokes
it takes to be a single mother
sacrificing the best part of her dreams
to raise a baby boy who-on most days-
she probably wants to strangle.
We disagree-a lot.
For instance, she still thinks it’s okay
to carry on a conversation
full throttle
at 7 a.m.
whereas I think…
Oh, wait, I’m sorry…
I don’t think at seven in the morning.
But we both agree that
Love
makes no mistakes.
So at night time,
when she’s winding down
and I’m still writing books about
how to get comfortable in this skin she gave me,
I see rock stars on stages
smashing guitars.
It’s then when I wanna find’m a comfortable chair
get’m a snack,
and introduce them to Daylight:
This is my mother,
Tresa B. Olsen.
Runner of the tight shift.
Taker of the temperature.
Leaver of the light on.
Lover of the underdog.
Mover of the mountain.
Winner of the good life.
Keeper of the
hope
chest.
Guitar
Repair
Woman.
And I am her son,
Buddy Wakefield.
I play a tricked-out electric pen,
thanks to the makers of music and metaphor,
but I do my best to keep the words in check,
and I use a padded microphone
so I don’t hurt you,
because sometimes I smash things,
and I don’t ever wanna let’er down.
For a New Beginning by John O’Donohue
Awaken to the mystery of being here
and enter the quiet immensity of your own presence.
Have joy and peace in the temple of your senses.
Receive encouragement when new frontiers beckon.
Respond to the call of your gift and the courage to
follow its path.
Let the flame of anger free you of all falsity.
May warmth of heart keep your presence aflame.
May anxiety never linger about you.
May your outer dignity mirror an inner dignity of
soul.
Take time to celebrate the quiet miracles that seek
no attention.
Be consoled in the secret symmetry of your soul.
May you experience each day as a sacred gift woven
around the heart of wonder.
Thank You for Saying Thank You by Charles Bernstein
This is a totally
accessible poem.
There is nothing
in this poem
that is in any
way difficult
to understand.
All the words
are simple &
to the point.
There are no new
concepts, no
theories, no
ideas to confuse
you. This poem
has no intellectual
pretensions. It is
purely emotional.
It fully expresses
the feelings of the
author: my feelings,
the person speaking
to you now.
It is all about
communication.
Heart to heart.
This poem appreciates
& values you as
a reader. It
celebrates the
triumph of the
human imagination
amidst pitfalls &
calamities. This poem
has 90 lines,
269 words, and
more syllables than
I have time to
count. Each line,
word, & syllable
have been chosen
to convey only the
intended meaning
& nothing more.
This poem abjures
obscurity & enigma.
There is nothing
hidden. A hundred
readers would each
read the poem
in an identical
manner & derive
the same message
from it. This
poem, like all
good poems, tells
a story in a direct
style that never
leaves the reader
guessing. While
at times expressing
bitterness, anger,
resentment, xenophobia,
& hints of racism, its
ultimate mood is
affirmative. It finds
joy even in
those spiteful moments
of life that
it shares with
you. This poem
represents the hope
for a poetry
that doesn’t turn
its back on
the audience, that
doesn’t think it’s
better than the reader,
that is committed
to poetry as a
popular form, like kite
flying and fly
fishing. This poem
belongs to no
school, has no
dogma. It follows
no fashion. It
says just what
it says. It’s
real.
Monologue for an Onion by Suji Kwock Kim
I don’t mean to make you cry.
I mean nothing, but this has not kept you
From peeling away my body, layer by layer,
The tears clouding your eyes as the table fills
With husks, cut flesh, all the debris of pursuit.
Poor deluded human: you seek my heart.
Hunt all you want. Beneath each skin of mine
Lies another skin: I am pure onion–pure union
Of outside and in, surface and secret core.
Look at you, chopping and weeping. Idiot.
Is this the way you go through life, your mind
A stopless knife, driven by your fantasy of truth,
Of lasting union–slashing away skin after skin
From things, ruin and tears your only signs
Of progress? Enough is enough.
You must not grieve that the world is glimpsed
Through veils. How else can it be seen?
How will you rip away the veil of the eye, the veil
That you are, you who want to grasp the heart
Of things, hungry to know where meaning
Lies. Taste what you hold in your hands: onion-juice,
Yellow peels, my stinging shreds. You are the one
In pieces. Whatever you meant to love, in meaning to
You changed yourself: you are not who you are,
Your soul cut moment to moment by a blade
Of fresh desire, the ground sown with abandoned skins.
And at your inmost circle, what? A core that is
Not one. Poor fool, you are divided at the heart,
Lost in its maze of chambers, blood, and love,
A heart that will one day beat you to death.
Compassion Camp 