Invitation to Love by Paul Laurence Dunbar

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Come when the nights are bright with stars
    Or when the moon is mellow;
Come when the sun his golden bars
    Drops on the hay-field yellow.
Come in the twilight soft and gray,
Come in the night or come in the day,
Come, O love, whene’er you may,
    And you are welcome, welcome.

You are sweet, O Love, dear Love,
You are soft as the nesting dove.
Come to my heart and bring it rest
As the bird flies home to its welcome nest.

Come when my heart is full of grief
    Or when my heart is merry;
Come with the falling of the leaf
    Or with the redd’ning cherry.
Come when the year’s first blossom blows,
Come when the summer gleams and glows,
Come with the winter’s drifting snows,
    And you are welcome, welcome.

Advice to a Raindrop by Kim Stafford

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You think you’re too small
to make a difference? Tell me
about it. You think you’re
helpless, at the mercy of forces
beyond your control? Been there.

Think you’re doomed to disappear,
just one small voice among millions?
That’s no weakness, trust me. That’s
your wild card, your trick, your
implement. They won’t see you coming

until you’re there, in their faces, shining,
festive, expendable, eternal. Sure you’re
small, just one small part of a storm that
changes everything. That’s how you win,
my friend, again and again and again.

Dream Variations by Langston Hughes

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To fling my arms wide
In some place of the sun,
To whirl and to dance
Till the white day is done.
Then rest at cool evening
Beneath a tall tree
While night comes on gently,
    Dark like me—
That is my dream!

To fling my arms wide
In the face of the sun,
Dance! Whirl! Whirl!
Till the quick day is done.
Rest at pale evening . . .
A tall, slim tree . . .
Night coming tenderly
    Black like me.

The Night Migrations by Louise Glück

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This is the moment when you see again
the red berries of the mountain ash
and in the dark sky
the birds’ night migrations.

It grieves me to think
the dead won’t see them—
these things we depend on,
they disappear.

What will the soul do for solace then?
I tell myself maybe it won’t need
these pleasures anymore;
maybe just not being is simply enough,
hard as that is to imagine.

Burning the Old Year by Naomi Shihab Nye

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Letters swallow themselves in seconds.
Notes friends tied to the doorknob,
transparent scarlet paper,
sizzle like moth wings,
marry the air.

So much of any year is flammable,
lists of vegetables, partial poems.
Orange swirling flame of days,
so little is a stone.

Where there was something and suddenly isn’t,
an absence shouts, celebrates, leaves a space.
I begin again with the smallest numbers.

Quick dance, shuffle of losses and leaves,
only the things I didn’t do
crackle after the blazing dies

I Met My Solitude by Naomi ReplanskyI

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I met my Solitude. We two stood glaring.
I had to tremble, meeting her face to face.
Then she saying, and I with bent head hearing:
“You sent me forth to exile and disgrace,
 
“Most faithful of your friends, then most forsaken,
Forgotten in breast, in bath, in books, in bed.
To someone else you gave the gifts I gave you,
And you embraced another in my stead.
 
“Though we meet now, it is not of your choosing.
I am not fooled. And I do not forgive.
I am less kind, but did you treat me kindly?
In armored peace from now on let us live.” 
 
So did my poor hurt Solitude accuse me.
Little was left of good between us two.
And I drew back: “How can we stay together,
You jealous of me, and I laid waste by you?
 
“By you, who used to be my good provider,
My secret nourisher, and mine alone.
The strength you taught me I must use against you,
And now with all my strength I wish you gone.” 
 
Then she, my enemy, and still my angel,
Said in that harsh voice that once was sweet:
“I will come back, and every time less handsome,
And I will look like Death when last we meet.”

Weathering Hate by Harryette Mullen

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The way, exposed to weather, a body is worn. Velvet threads begin to
wither, rapid ripened beyond the burst bloom. Vibrant strands, cut short, fray, unweaving faded fabric. Sun-struck, rain-warped, storm-blasted, rough-sanded in whipping wind that whittles rock. 

Small, torturous fractures opened in stone where water freezes in the
pores with grains of salt. Cracks in the surface pried apart by unrelenting pressure. With incessant freezing and thawing, shock and fatigue speed rugged stress to ultimate breakdown. Intemperate weather, abrading edges, gradually disintegrates resolute minerals. 

A boulder, even a mountain, will wear down. So will bodies, bent and
broken under toilsome burdens, caving beneath unbearable weight, in
adverse climate, exposed to harsh elements, caustic rains. 

Someday I’ll Love Ocean Vuong by Ocean Vuong

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Ocean, don’t be afraid.
The end of the road is so far ahead
it is already behind us.
Don’t worry. Your father is only your father
until one of you forgets. Like how the spine
won’t remember its wings
no matter how many times our knees
kiss the pavement. Ocean,
are you listening? The most beautiful part
of your body is wherever
your mother’s shadow falls.
Here’s the house with childhood
whittled down to a single red trip wire.
Don’t worry. Just call it horizon
& you’ll never reach it.
Here’s today. Jump. I promise it’s not
a lifeboat. Here’s the man
whose arms are wide enough to gather
your leaving. & here the moment,
just after the lights go out, when you can still see
the faint torch between his legs.
How you use it again & again
to find your own hands.
You asked for a second chance
& are given a mouth to empty out of.
Don’t be afraid, the gunfire
is only the sound of people
trying to live a little longer
& failing. Ocean. Ocean —
get up. The most beautiful part of your body
is where it’s headed. & remember,
loneliness is still time spent
with the world. Here’s
the room with everyone in it.
Your dead friends passing
through you like wind
through a wind chime. Here’s a desk
with the gimp leg & a brick
to make it last. Yes, here’s a room
so warm & blood-close,
I swear, you will wake —
& mistake these walls
for skin.

Note to Self above the Paradox Valley, by Rosemerry Wahtola Trommer

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after Ocean Vuong, “Someday I’ll Love Ocean Vuong”

You do not need to know what comes next.
There is always another storm, and you
cannot hang the tent out to dry before
it has gotten wet. You cannot shovel snow
that has yet to fall.
Put down the shovel. Breathe
into the dark spaces of your back,
feel how they open like cave doors
to let in the light.
Let your face soften. Let the creases
fall out of your brow. The mind,
no matter how clear, will never become
a crystal ball.
The wisest part of your body
knows to run when it hears
the first crashes of rock fall.
It does not pause then to consider
metamorphic or igneous,
nor does it hesitate to wonder
what might have pushed them down.
It is no small thing to trust yourself.
It’s okay to cry. It is right
that love should shake your body,
that you should find yourself trembling
in the rubble and dust
after all your certainties come down.
Your breath has not left you.
Here is the morning rain. It opens
the scent of the leaves, of the air.
All around you the world is changing.
What are you waiting for?
Here is the cup of mint tea
growing stronger in itself.
Here on this cliff of uncertainty
there is a stillness in you
so spirited, so alive
the wisest part of your body
is dancing.

Adrift by Mark Nepo

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Everything is beautiful and I am so sad.
This is how the heart makes a duet of
wonder and grief. The light spraying
through the lace of the fern is as delicate
as the fibers of memory forming their web
around the knot in my throat. The breeze
makes the birds move from branch to branch
as this ache makes me look for those I’ve lost
in the next room, in the next song, in the laugh
of the next stranger. In the very center, under
it all, what we have that no one can take
away and all that we’ve lost face each other.
It is there that I’m adrift, feeling punctured
by a holiness that exists inside everything.
I am so sad and everything is beautiful.