One Art by Elizabeth Bishop

The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.
Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn’t hard to master.
Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.
I lost my mother’s watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn’t hard to master.
I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn’t a disaster.
—Even losing you (the joking voice, a gesture
I love) I shan’t have lied. It’s evident
the art of losing’s not too hard to master
though it may look like (Write it!) like disaster.

Love Poem: Minotaur by Donika Ross

Freedom is a thread of light snaking
the canyon like an ant through a conch.
A goodbye to each dead end and small room.
Salt, once of the sea, now of the wind,
now on my brow, making a witness of me.
I open my mouth to the wind. The wind
opens my heart, my breast. I leave the bare
bones behind. I leave the soul, once another’s,
once my own, there in that maze of sand,
mortar, and bellows. A golden light hails
me, pulls me like a worm from the earth.

If You Knew by Ellen Bass

What if you knew you’d be the last
to touch someone?
If you were taking tickets, for example,
at the theater, tearing them,
giving back the ragged stubs,
you might take care to touch that palm,
brush your fingertips
along the life line’s crease.
When a man pulls his wheeled suitcase
too slowly through the airport, when
the car in front of me doesn’t signal,
when the clerk at the pharmacy
won’t say Thank you, I don’t remember
they’re going to die.
A friend told me she’d been with her aunt.
They’d just had lunch and the waiter,
a young gay man with plum black eyes,
joked as he served the coffee, kissed
her aunt’s powdered cheek when they left.
Then they walked half a block and her aunt
dropped dead on the sidewalk.
How close does the dragon’s spume
have to come? How wide does the crack
in heaven have to split?
What would people look like
if we could see them as they are,
soaked in honey, stung and swollen,
reckless, pinned against time?

Wild Is the Wind by Carl Phillips

About what’s past, Hold on when you can, I used to say,
And when you can’t, let go, as if memory were one of those
mechanical bulls, easily dismountable, should the ride
turn rough. I lived, in those days, at the forest’s edge —
metaphorically, so it can sometimes seem now, though
the forest was real, as my life beside it was. I spent
much of my time listening to the sounds of random, un-
knowable things dropping or being dropped from, variously,
a middling height or a great one until, by winter, it was
just the snow falling, each time like a new, unnecessary
taxonomy or syntax for how to parse what’s plain, snow
from which the occasional lost hunter would emerge
every few or so seasons, and — just once — a runaway child
whom I gave some money to and told no one about,

having promised … You must keep what you’ve promised
very close to your heart, that way you’ll never forget

is what I’ve always been told. I’ve been told quite
a lot of things. They hover — some more unbidden than
others — in that part of the mind where mistakes and torn
wishes echo as in a room that’s been newly cathedraled,
so that the echo surprises, though lately it’s less the echo
itself that can still most surprise me about memory —
it’s more the time it takes, going away: a mouth opening
to say I love sex with you too it doesn’t mean I wanna stop
my life for it,
for example; or just a voice, mouthless,
asking Since when does the indifference of the body’s
stance when we’re alone, unwatched, in late light, amount

to cruelty? For the metaphysical poets, the problem
with weeping for what’s been lost is that tears
wash out memory and, by extension, what we’d hoped
to remember. If I refuse, increasingly, to explain, isn’t
explanation, at the end of the day, what the sturdier
truths most resist? It’s been my experience that
tears are useless against all the rest of it that, if I
could, I’d forget. That I keep wanting to stay should
count at least for something. I’m not done with you yet.

Volver, Volver by Ariana Brown

How does one lose an accent? coat the tongue in ice and watch the frosted muscle forget all its memories?

Mexico, a country which once included a third of the United States, is home to the largest Spanish speaking population in the world. My grandmother attended public school in Texas in the fifties, before it was legal to speak her native tongue in a classroom. As a child, my mother tells me I am “African American Mexican”. This means nothing to me. Often, she instructs me to speak like I have heritage, respect, a mouth of my own. But in Texas, Mexicans who speak Spanish are also called niggers.

1. Nigger wraps itself around the coils of my hair and speaks. The beginning of mirrors is the beginning of the end. I am six years old and ending all over.
2. 48% of the world’s black population resides in Latin America.
3. The first time I heard mariachis was in a restaurant, or at a parade, or an outdoor theater somewhere. I remember admiring the lone woman in the group, her green polyester, the way she made her whole body a song, the whole song a mountain, her mouth a red sun spilling with hurt.
4. Years later, at a play in my hometown of San Antonio, a stranger asks me a question in Spanish. I answer, pronouncing each syllable with the pride I inherited. Frustrating, how it is easier to communicate with a stranger than my own grandmother, that despite four and a half years of Spanish classes, I am still afraid that in front of my family, my shivering tongue will shake to a western rhythm, dry out, and die.
5. In Austin, it is normal to insult a Mexican street name, extract its religion and graze it irreverently down to Gwad-uh-loop instead of troubling oneself with Guadalupe, the patroness of Mexican people, la morena, dark like we are, sacred like our names have always been.
6. I am always amazed that the ability to forget history is a choice for some people, instead of an ancestral battle against hating the self and all its words for being.
7. Can you still be considered an immigrant if you are traveling to a place that was yours to begin with?
8. When I correct other people’s Spanish, I am often met with a laugh and the occasional “I’m white” as if that was an excuse to be anything but sorry.
9. Each letter in the Spanish alphabet will almost always make the same sound, no matter what word it appears in. Despite the excuses, pronunciation is not difficult.
10. My mother’s favorite mariachi song is “Volver, Volver”, a story of unrequited love and the desire to come home.
11. In times of crisis, the mouth will bake the air inside it, choose to remain silent to survive. The slow heat produces a small sun. To keep the sun from breaking on its way out of the mouth, the tongue must reacquaint itself with the work of legacy.
12. The work is never done.

American Sonnet for Wanda C. by Terrance Hayes

Who I know knows why all those lush-boned worn-out girls are
Whooping at where the moon should be, an eyelid clamped
On its lightness. Nobody sees her without the hoops firing in her
Ears because nobody sees. Tattooed across her chest she claims
Is BRING ME TO WHERE MY BLOOD RUNS and I want that to be here
Where I am her son, pent in blackness and turning the night’s calm
Loose and letting the same blood fire through me. In her bomb hair:
Shells full of thunder; in her mouth: the fingers of some calamity,
Somebody foolish enough to love her foolishly. Those who could hear
No music weren’t listening—and when I say it, it’s like claiming
She’s an elegy. It rhymes, because of her, with effigy. Because of her,
If there is no smoke, there is no party. I think of you, Miss Calamity,
Every Sunday. I think of you on Monday. I think of you hurling hurt
Where the moon should be and stomping into our darkness calmly.

I Am Learning How to Be a Flower by Dominque Christina Ashaheed

There is a wisdom that you can claim.
It rumbles and shimmies in your belly.
Low and deep, it is an old and familiar knowing.
A railroad of long ago yesterdays asking us to remember the typography of our souls.
Our own inspired light.
I swallowed a Lilly once and heard the laughter I had been denying.
There are so many songs waiting on the garden of your belly to be given permission to grow.
Who told us to shut out our own indomitable light?
Our own remarkable song.
There is a universe in my body.
I wake some nights the constellation of stars settling deep behind my eyelids
Our memories are older than we are.
We are born into so many stories.
So many ways of knowing.
A long sigh of yesterdays without formal introductions.
But, I am learning how to be a flower.
How to remember my body.
How to commit to her regeneration
How to reassemble these bones into star-shine.
I am learning how to love like lavender.
Stretching out around the sun
until we are singing the same insistent melodies
I am hearing my own voice again.
Becoming a wider girl.
You want to know who I am?
I’m wind-song.
Many mountains moving a rain cloud.
A midnight sigh.
A forest.
An old story.
A new song.
A pink and possible thing.
Sugar cane growing sticky and sweet from an impossible earth.
I am magic.
The lightening that animates the work.
The work that animates the soul.
The soul that animates the girl
The girl who animates the words
The words that make a world
Pulling panties from my palms
I know how to sit naked in a flower garden
Wrap my legs around an old oak tree.
Find the tectonic shutter of every leaf and limb.
Let them give me back the benefit of my name.
Can you see me?
I am learning how to bend easily in a breeze.
Lemongrass.
A lotus.
A pink bloom in pure water.
I am learning how to be a flower.
How to occupy this body with intention.
How to worship this skin.
How to praise the way it sighs and stretches over these long bones.
It is not a borrowed thing.
It is the most expensive things I own.
It…
…and my beating heart.
I am learning how to seek the sound of my flesh.
How to leap
and dance
and be still.
I am learning how to walk in my own purpose.
How to seek my own divine light.
What a celebrated journey.
What awesome soul stretching thing
What pretty stars in these eyes.
What bravery to love yourself widely enough to lean into your own magic.
To dance your blue-note melody all the days of your life.
I am learning how to BE a flower.
To smile into your wounds until they are petals in the wind for blowing.
To love the vast landscape of your heart.
To let it be a diamond mine in your chest.
A persistent gust of wind.
A meditation.
A love poem.
A Frohman album where you smile with all your teeth and every picture the way your name sounds as it moves through the lips of your beloved.
I am learning how to be a flower.
It is the best thing I have ever done.
In the morning I will walk into a river that greets me like a warm, wide mouth.
And I will remember to be grateful.
For you.
For me.
For the way the earth and all her audacity and wisdom keeps offering us
herself
over and again until we agree to be new.
To be made over.
To be rooted.
To bloom
and open to the sun.
Like a prayer
Or a kiss
Or the bamboo your spine can become
Or the flower gardens we are trying to plant in our chest
Yes.
Exactly like that.

Super Orphan by Fatimah Asgh

Today, I donned my cape like a birth
certificate & jumped, arms wide into the sky.

I know—once there was a man.
Or maybe a woman.
Let’s try again: once, there was a family.
What came first?

What to do then, when the only history
you have is collage?

Woke up, parents still
dead. Outside, the leaves yawn,
re-christen themselves as spring.

Lets try again. Once there was a village
on a pale day, unaware of the greatness
at its gate.

Today, I woke:
Batman, a king over Gotham.
The city sinning at my feet
begging to be saved.

The same dream again:
police running after my faceless
family with guns
my uncle leaps into a tulip
filled field, arms turning to wings
as bullets greet him.

Today, I woke, slop-lipped
and drunk, cards in my hand,
Joker in my chest. Today I woke
angry at the world for its hurt
wanting to make more like me.

Are all refugees superheroes?
Do all survivors carry villain inside them?

Today, I donned my cape like a birth
certificate & jumped, arms wide into the sky.

How else to say I am here?

Sometimes by David Whyte

Sometimes
if you move carefully
through the forest

breathing
like the ones
in the old stories

who could cross
a shimmering bed of dry leaves
without a sound,

you come
to a place
whose only task

is to trouble you
with tiny
but frightening requests

conceived out of nowhere
but in this place
beginning to lead everywhere.

Requests to stop what
you are doing right now,
and

to stop what you
are becoming
while you do it,

questions
that can make
or unmake
a life,

questions
that have patiently
waited for you,

questions
that have no right
to go away.