Silence is one part of speech, the war cry
of wind down a mountain pass another.
A stranger’s voice echoing through lonely
valleys, a lover’s voice rising so close
it’s your own tongue: these are keys to cipher,
the way the high hawk’s key unlocks the throat
of the sky and the coyote’s yip knocks
it shut, the way the aspens’ bells conform
to the breeze while the rapid’s drum defines
resistance. Sage speaks with once voice, pinyon
with another. Rock, wind her hand, water
her brush, spells and then scatters her demands.
Some notes tear and pebble our path. Some notes
gather: the bank we map our lives around.
Category: Poetry
Tear It Down by Jack Gilbert
We find out the heart only by dismantling what
the heart knows. By redefining the morning,
we find a morning that comes just after darkness.
We can break through marriage into marriage.
By insisting on love we spoil it, get beyond
affection and wade mouth-deep into love.
We must unlearn the constellations to see the stars.
But going back toward childhood will not help.
The village is not better than Pittsburgh.
Only Pittsburgh is more than Pittsburgh.
Rome is better than Rome in the same way the sound
of racoon tongues licking the inside walls
of the garbage tub is more than the stir
of them in the muck of the garbage. Love is not
enough. We die and are put into the earth forever.
We should insist while there is still time. We must
eat through the wildness of her sweet body already
in our bed to reach the body within the body.
Caged Bird by Maya Angelou
Sympathy by Paul Laurence Dunbar (1899)
I know what the caged bird feels, alas!
When the sun is bright on the upland slopes;
When the wind stirs soft through the springing grass,
And the river flows like a stream of glass;
When the first bird sings and the first bud opes,
And the faint perfume from its chalice steals—
I know what the caged bird feels!
I know why the caged bird beats his wing
Till its blood is red on the cruel bars;
For he must fly back to his perch and cling
When he fain would be on the bough a-swing;
And a pain still throbs in the old, old scars
And they pulse again with a keener sting—
I know why he beats his wing!
I know why the caged bird sings, ah me,
When his wing is bruised and his bosom sore,—
When he beats his bars and he would be free;
It is not a carol of joy or glee,
But a prayer that he sends from his heart’s deep core,
But a plea, that upward to Heaven he flings—
I know why the caged bird sings!
Soul Music by Angelique Wright
Like an instrumental that goes on forever
You play my body when we’re together
Making sure to fine tune all the keys
The rhythm of you beating deeply into me
Passion unfolding in the perfect tone
Increasing the speed of your tempo
Bodies rocking in harmony
Getting caught up in the rhapsody
With every motion you compose a new score
No need for an interlude the duet’s what I’m here for
Unending passion building with each verse
Don’t need a refrain
Don’t need to rehearse
Whether in unison or as a solo
I love the music you sing to my soul
Abecedarian Yellow by Dan Vera
A is for apple.
B is for banana – treasure fruit of the tropics
which replaced the apple on the breakfast table of Victorian America.
C is for Carmen Miranda smiling
from the label of the bunch of bananas.
D is for drugs to disrupt nature’s cycle,
for longevity to cut and ship and freight by steamship
a green banana to the market and your table.
E is for ethylene gas, which is what the drugs suppress in fruit,
for longevity to cut and ship and freight by steamship
a green banana to the market and your table.
F is for fruit, obviously.
G is for Guatemala.
H is for Honduras,
or H could be for O. Henry who gave them a name:
“banana republics” — governments ruled by giant fruit companies
like Dole and United Fruit through American intervention. Yes,
I is for intervention. Are you still with me?
J is for junta, with an h-like j from the Spanish,
as in “military junta” set up by intervention to sustain control
and ensure cheap labor in countries like Honduras and Guatemala
so that bananas can get to your table cheaper
than an apple which grows in your yard.
K is for kitchen — your kitchen,
where history and blood commingle each morning
in the green curve of an
L-shaped fruit from countries with
Monoculture agriculture, which is nuts.
N is for nuts, because we’ve been through this before,
Over and over again.
P is for “Panama disease,” which wiped out
the last variety of shippable banana in the 1950s
and may soon wipe out our current one.
¿Que? ¿Que?
R is for ripe.
S is for surprise!
T is for trouble–
Undeniable trouble.
V is for Victoria–Queen Victoria who died in 1901–
we’ve been at this that long with bananas.
W is for wrapping up,
X is for eXtinction of a species of yellow fruit
or berry, depending on your view.
Y is for yellow and
Z is for zed
which signifies end.
What the mirror said by Lucille Clifton
listen,
you a wonder.
you a city
of a woman.
you got a geography
of your own.
listen,
woman,
you not a noplace
anonymous
girl;
mister with his hands on you
he got his hands on
some
damn
body!
Last Night the Rain Spoke to Me by Mary Oliver
Last night
the rain
spoke to me
slowly, saying,
what joy
to come falling
out of the brisk cloud,
to be happy again
in a new way
on the earth!
That’s what it said
as it dropped,
smelling of iron,
and vanished
like a dream of the ocean
into the branches
and the grass below.
Then it was over.
The sky cleared.
I was standing
under a tree.
The tree was a tree
with happy leaves,
and I was myself,
and there were stars in the sky
that were also themselves
at the moment,
at which moment
my right hand
was holding my left hand
which was holding the tree
which was filled with stars
and the soft rain—
imagine! imagine!
the wild and wondrous journeys
still to be ours.
When First We Faced, And Touching Showed by Philip Larkin
When first we faced, and touching showed
How well we knew the early moves,
Behind the moonlight and the frost,
The excitement and the gratitude,
There stood how much our meeting owed
To other meetings, other loves.
The decades of a different life
That opened past your inch-close eyes
Belonged to others, lavished, lost;
Nor could I hold you hard enough
To call my years of hunger-strife
Back for your mouth to colonise.
Admitted: and the pain is real.
But when did love not try to change
The world back to itself–no cost,
No past, no people else at all–
Only what meeting made us feel,
So new, and gentle-sharp, and strange?
From Out of the Cave by Joyce Sutphen
When you have been
at war with yourself
for so many years that
you have forgotten why,
when you have been driving
for hours and only
gradually begin to realize
that you have lost the way,
when you have cut
hastily into the fabric,
when you have signed
papers in distraction,
when it has been centuries
since you watched the sun set
or the rain fall, and the clouds,
drifting overhead, pass as flat
as anything on a postcard;
when, in the midst of these
everyday nightmares, you
understand that you could
wake up,
you could turn
and go back
to the last thing you
remember doing
with your whole heart:
that passionate kiss,
the brilliant drop of love
rolling along the tongue of a green leaf,
then you wake,
you stumble from your cave,
blinking in the sun,
naming every shadow
as it slips.