The Wind in a Corner by Stacey Balkun ​

after the painting by Kay Sage

I don’t want to lean this far away from you,
but bone-shudder tall and still, you’ve turned
so rigid. Backed into a corner, windblown
cliffs stiff against sunwash—have you angled

away from me, or from us all? Baby,
I call you baby from exasperation. There’s more
to see in this world if we don’t let it dry up
around us. Once, we found love in this

landscape: cholla blooming like my bouquet,
petaled fury. A gust blows up my skirt and I wish
you’d laugh with me. Crouch down. Look at this
slash of blue rock against red dirt. See, a sprout

of some wild something rooted in the hard earth,
reaching for the wind we make with our hands.

Are All the Break-Ups in Your Poems Real? by Aimee Nezhukumatathil

If by real you mean as real as a shark tooth stuck
in your heel, the wetness of a finished lollipop stick,
the surprise of a thumbtack in your purse—
then Yes, every last page is true, every nuance,
bit, and bite. Wait. I have made them up—all of them—
and when I say I am married, it means I married
all of them, a whole neighborhood of past loves.
Can you imagine the number of bouquets, how many
slices of cake? Even now, my husbands plan a great meal
for us—one chops up some parsley, one stirs a bubbling pot
on the stove. One changes the baby, and one sleeps
in a fat chair. One flips through the newspaper, another
whistles while he shaves in the shower, and every single
one of them wonders what time I am coming home.

Sonnet for the Night Shift by Kim Harvey

For the barbacks and the line cooks, this one’s
for you, for the jostle and bustle of
busboys hustling tips, for the aprons
and grease, for the fluorescent light above,
for how her hair falls at the nape of her
neck, for the way memory works, something
I chase, something I can’t control, slow burn
of swoon-jazz on the jukebox, for the sting
of tequila, for the draft beer on tap,
for the ones who come back night after night,
for yesterday’s special wrapped up as scraps
and for those who pass through just for a bite
or some human contact, for busting ass
and for refilling every empty glass.

The Imprint by Jennifer Moxley

We will count on these walls
to whisper
our resumes
to the strangers who take up
the work of these rooms,
forwarding them
past dust.

Our purpose shared,
suspended in trust
to a poem
that told us a long love
is willed.

Believing such
we are bound to exit
flattered
by our design,
unmindful that this thing
has also always
been lying
in wait,
a thing
in itself, bossy and brutish
that has thrived in spite of
sabotage chapters
occasional giddy
neglect.

A volition
apart
that exceeds
dull need
a self-interweaving
imperative be mine
that will whisper
our love
past dust.

I Love You by Jenny George

Her eyes were mostly shut. She didn’t speak.
The sun’s slow exile crossed the wall above the bed.

But once, when I bent to feed her a drop
of morphine from the little plastic beak,

her hand shot up and gripped my arm. She looked right at me.
When she said the words, it sounded like she meant: Don’t leave me.

From the very first, we love like this: our heads turning
toward whatever mothers us, our mouths urgent

for the taste of our name.

For What Binds Us by Jane Hirshfield

There are names for what binds us:
strong forces, weak forces.
Look around, you can see them:
the skin that forms in a half-empty cup,
nails rusting into the places they join,
joints dovetailed on their own weight.
The way things stay so solidly
wherever they’ve been set down—
and gravity, scientists say, is weak.

And see how the flesh grows back
across a wound, with a great vehemence,
more strong
than the simple, untested surface before.
There’s a name for it on horses,
when it comes back darker and raised: proud flesh,

as all flesh
is proud of its wounds, wears them
as honors given out after battle,
small triumphs pinned to the chest-

And when two people have loved each other
see how it is like a
scar between their bodies,
stronger, darker, and proud;
how the black cord makes of them a single fabric
that nothing can tear or mend.

love at the beginning by Andrés Montoya

tonight for a moment as the owl sleeps
i’m going to dust this city’s dirt from my clothes
the dry hot deaths that bring the strongest to their knees.
i’m going to run headlong through a rainstorm
dodging lightening blasts and hurdling rivers
as wolves howl on a peak of purple darkness.
with my nose flaring, the sulfur of the fields will not deter me,
i’m going to come through to a background of laughing cars
and screaming
sirens.
my forehead pushing forward to the street
of your house, i’m going to come with the smile of a boy,
my smile,
my hands offering callouses, offering struggle.
tonight as the owl sleeps, i’ll come with the silence of a cricket,
with the intensity of a flower and for an instant, a second,
before i tell you it’s starting and bring the guns,
feathers will flow from my mouth to tell you, mi amor, my soul,
a kiss before we pray. i gather the stars like berries
and bring them to light your face, let me again smell
the skin of your stomach,
let me wash your feet with my lips,
nibble the meat from behind your knees.

My Heart by Kim Addonizio

That Mississippi chicken shack.
That initial-scarred tabletop,
that tiny little dance floor to the left of the band.
That kiosk at the mall selling caramels and kitsch.
That tollbooth with its white-plastic-gloved worker
handing you your change.
That phone booth with the receiver ripped out.
That dressing room in the fetish boutique,
those curtains and mirrors.
That funhouse, that horror, that soundtrack of screams.
That putti-filled heaven raining gilt from the ceiling.
That haven for truckers, that bottomless cup.
That biome. That wilderness preserve.
That landing strip with no runway lights
where you are aiming your plane,
imagining a voice in the tower,
imagining a tower.

Resignation by Nikki Giovanni

I love you
because the Earth turns round the sun
because the North wind blows north
sometimes
because the Pope is Catholic
and most Rabbis Jewish
because the winters flow into springs
and the air clears after a storm
because only my love for you
despite the charms of gravity
keeps me from falling off this Earth
into another dimension
I love you
because it is the natural order of things

I love you
like the habit I picked up in college
of sleeping through lectures
or saying I’m sorry
when I get stopped for speeding
because I drink a glass of water
in the morning
and chain-smoke cigarettes
all through the day
because I take my coffee Black
and my milk with chocolate
because you keep my feet warm
though my life a mess
I love you
because I don’t want it
any other way

I am helpless
in my love for you
It makes me so happy
to hear you call my name
I am amazed you can resist
locking me in an echo chamber
where your voice reverberates
through the four walls
sending me into spasmatic ecstasy
I love you
because it’s been so good
for so long
that if I didn’t love you
I’d have to be born again
and that is not a theological statement
I am pitiful in my love for you

The Dells tell me Love
is so simple
the thought though of you
sends indescribably delicious multitudinous
thrills throughout and through-in my body
I love you
because no two snowflakes are alike
and it is possible
if you stand tippy-toe
to walk between the raindrops
I love you
because I am afraid of the dark
and can’t sleep in the light
because I rub my eyes
when I wake up in the morning
and find you there
because you with all your magic powers were
determined that
I should love you
because there was nothing for you but that
I would love you

I love you
because you made me
want to love you
more than I love my privacy
my freedom my commitments
and responsibilities
I love you ’cause I changed my life
to love you
because you saw me one Friday
afternoon and decided that I would
love you
I love you I love you I love you